David Fisher

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List of Works

Treating a Blister [Voice and Piano] – original text

Premiered by Christa Beveridge and Cory Shim at SongSlam DC


What Trees Will Become [SATB Choir with divisi] – original text

Premiered by Victoria Gau and the Cantate Chamber Singers


O Lux Beatissima [SSAATTBB Choir] – traditional text

Premiered by Jordan Prescott and the Grace and St. Peter’s of Baltimore Choir


In Light of Your Absence [High Voice(s) and Chamber Ensemble]


Only by Change Does the River Remain [Solo Violin]

Premiere Recording by Tim Fain

Only by Change Does the River Remain
David Fisher

With This in Mind [Mezzo-Soprano, Baritone, Piano] – original text


 

26 [SSA or SATB Choir] – text by Rachel Eliza Griffiths

SSA Premiere by Lawrence University Cantala

SATB Premiere by the New Voices Choir


 

Mending [Soprano and Piano] – text by Hazel Hall


Slenderman: Waukesha [Piano Trio]

Premiered by Trio Mythos at the HighSCORE Festival

 
 
Slenderman: Waukesha
David Fisher
 

The Brothers’ Revenge [Flute, Cello, Piano]

Premiered by Ammon Swinbank, Danny Hoppe, and Jeremy Vigil
at the Fresh Inc. Festival

 
 

Song of the Trees [Flute Trio] – text by Mary Colborne-Veel


Petrified, Splintered [String Quartet]


Yourself the Sun [Voice and Piano] – text by Arthur Gorges


Acquiescence [Solo Piano]

Premiered by Cade Braynen

Acquiescence
David Fisher

If you would like to perform an existing piece, please contact me via the link below.

Couldn’t find a piece to fit your program/instrumentation? Commission a new one!


Contact me for coaching on any aspect of my works. This can include spoken introductions, text analysis, dramatic interpretation, extended techniques, etc. I am delighted to collaborate and refine your interpretations!

Please notify me of any performances of my work, as I report them to a performing rights organization. Communicate well in advance if you would like me to be present at a performance, and I would be pleased to attend should it suit my schedule.

I appreciate having any recordings of my works, not for commercial purposes, but for personal use and reflection. If I decide to use the recording for self-promotion, I will ask for consent and be sure to credit all involved in the creation of the recording.